Donnie Yen is a martial arts and stunt legend in his personal proper, having established himself in Hong Kong and mainland China with the “Ip Man” franchise earlier than transitioning to Hollywood, finally touchdown roles in “Rogue One: A Star Wars Story” and Disney’s live-action “Mulan.” It additionally seems that Chad Stahelski is a giant fan of the motion star, and was intent on going all out on the large battle between Keanu Reeves’ John Wick and Yen’s Caine in “John Wick: Chapter 4.”
That battle happens through the early levels of the movie, when Reeves’ hitman manages to battle off hordes of thugs which have descended on the Osaka Continental Lodge, solely to be confronted by blind murderer and previous good friend Caine. And the battle that ensues was made that significantly better due to a neat trick employed by Nathan Orloff.
Because the editor defined to the MPA:
“Donnie was a unique beast […] I made this choice early on that caught: when Donnie is combating one other foremost character, there isn’t any music. I needed everybody to listen to what Caine hears. I needed folks to listen to that that is doable. It created this eeriness round Caine the place he felt completely different than all the opposite characters.”
Up till Caine enters the fray, “Chapter 4” is a predictably bombastic affair, with Wick having simply battered a couple of opponents with a pair of nunchucks. However Orloff’s rule for Caine makes for a pleasant change of tempo. As he defined:
“When there was this music, music, music, and the nunchucks, after which John will get up, there isn’t any music, after which Caine reveals up; it is simply eerily quiet. To me, that’s Caine’s world. We get an perception into his world due to that sound design selection.”