Completely dripping blood and camped out all week lengthy, Renfield is extra Raimi than Coppola, delightfully ripping into gangsters and corrupt cops as Renfield—Dracula’s historically toothless companion—seems to be not-so-toothless in any case. This movie, directed by Chris McKay (The Lego Batman Film) and written by Ryan Ridley (with a shoutout to The Strolling Lifeless’s Robert Kirkman for the story), is a horror comedy that does its finest to do each genres proud.

Renfield is a goofball gorefest that has far more martial arts motion sequences than I might anticipate out of a Dracula adaptation. Nicholas Hoult stars as Renfield, and he alternates between hapless and heroic as he slowly realizes that perhaps, , working for Dracula (a perfectly solid Nicolas Cage)—a manipulative serial killer who depends on co-dependent relationships to outlive—isn’t the healthiest option to dwell. It doesn’t deliver pleasure. (He learns all this from a support group he by chance wanders into. Poor man.)

Renfield decides to interrupt up together with his poisonous boss, nevertheless it’s not that simple. He makes enemies of the Lobo mob when he saves a fearless police officer—Awkwafina’s Rebecca Quincy—from public execution in a restaurant. Quincy and Renfield staff as much as cease the Lobos (fronted by Tedward Lobo, a delightfully cowardly hothead performed by Ben Schwartz), and when Dracula finally realizes that he wants new assist, he decides: who higher than cold-blooded killers? Half the work of coaching them to be heartless is already executed!

As Renfield and Dracula collect their allies, there are a few of the most kick-ass ass kicking scenes I’ve seen in theaters in a very long time. It’s taking blood splatter and portray it flooring to ceiling. The movie makes use of as many sensible results because it can, making a campy, over-the-top, completely absurd movie the place you by no means know what physique half will pop off subsequent.

Nic Cage’s Dracula is the actual plant-and-payoff of this movie, and whereas he’s by no means actually hidden away, the best way that the film holds Dracula again from going “the total Cage” till the very finish is phenomenal. This vampire is campy, wearing purple velvet and rhinestone-studded lapels. Cage chews on the surroundings via sharp tooth. His fingers, decked in large gold rings, drag throughout the display, disgusting and terrifying, dripping blood onto the cashmere.

Renfield is a creature function the place the creature is really fucking featured. Dracula eats up the display each time he seems. A part of that has to do with the cumbersome, sharp-tooth flappers Cage is sporting (which positively hamper his capability to ship a few of his traces, though you solely discover often). Whereas Hoult’s Renfield appears to wilt in the presence of his boss, it’s clear because the film goes on that that is a part of the purpose of it—and Hoult’s efficiency as a sympathetic post-breakup unhappy man delivers the grounding ingredient essential amid all of this camp.

All through the movie there are nods and outright fourth-wall breaks because the filmmakers pay their dues to all of the earlier iterations of well-known vampires of the previous. It’s a meta-fest, from a black-and-white Bela Lugosi imitation right down to the very setting: New Orleans, a metropolis steeped in vampire lore, largely having to do with Anne Rice’s presence within the city. My favourite wink to the viewers was when Dracula reveals up in a constructing uninvited. The digital camera pans rapidly to the doormat in entrance of the door. It reads “welcome residence!” Oops.

As Cage breaks out of his coffin and Hoult prettily turns into a hero price rooting for (whilst he snacks on crickets, ants, and spiders), the entire movie is delightfully spattered in gore and by no means strays too far-off from the campiness. With a enjoyable soundtrack, a implausible supporting solid, and completely top-notch tailoring for Dracula’s over-the-top formal put on, every little thing about Renfield is a bloody good time.

Renfield will premiere in theaters on April 14.

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