“Do not Look Now” instantly hits you with the loss of life of John (Donald Sutherland) and Laura Baxter’s (Julie Christie) daughter, Christine (Sharon Williams) by drowning. Earlier than she falls into the pond on the grounds of the couple’s English nation house, she’s proven operating by way of the foliage, solely to wind up beneath the floor after making an attempt to retrieve her ball from the water.

With “Hereditary,” Ari Aster paid homage to Nicolas Roeg’s haunting prologue by having the daughter of the Graham household, Charlie (Milly Shapiro), wander the yard of her house sporting a hoodie related in shade to Christine’s coat. Charlie is proven strolling by way of the greenery in a scene full of Roeg-esque pictures, together with a zoom out from the hen’s head in Charlie’s arms, hinting at her coming decapitation. That darkish foreshadowing and specializing in vital objects may be very harking back to the “Do not Look Now” director, who used issues just like the smashing of glass to portend one thing sinister.

In Aster’s scene, there’s additionally an overhead shot that provides an uncommon perspective on Charlie’s wandering, which is vaguely harking back to a shot from the opening of “Do not Look Now.” Earlier than Christine falls within the pond, she’s proven operating alongside the financial institution however solely her reflection is in body, so she seems to be operating the wrong way up in a grim foreshadowing of her fall into the water. In “Hereditary,” we’re proven Charlie from a top-down shot that has a equally eerie impact, specializing in simply the lady’s head, which can after all quickly be mendacity by the aspect of the highway in what is maybe probably the most unsettling scene in “Hereditary.” All of it provides as much as Aster making an attempt to recreate the environment he so admires in “Do not Look Now,” which he as soon as characterised as “a heat, uncanny hug of doom.”